Opening the show was La Face/Arista female trio TLC, who gave the crowd salty hits “Ain’t 2 Proud to Beg” and “Das Da Way We Like ‘Em,” among other cuts from its La Face debut album, “Ooooooohhh … On the TLC Tip. Highlighting the set was “Forever My Lady.” The best element of Jodeci’s presentation was its humor–bumping and grinding against the stage floor, and two members strutting as their baggy pants slipped below their buttocks, which (thankfully) were clad in red-and-white underwear. At around 3:35 in the video, it gets REALLY interesting. Among other things George Lucus Maker of Starwars and other films can. Aside from the lack of Gary killing, Too Legit To Quit was honestly one of the best episodes of LOT this season (by a large margin). You got Hamma pants, lines shaved into haircuts, blinding dance moves, fireballs, and mighty shoulder pads. The music video for 2 Legit 2 Quit is classic. Moving about the stage like Marky Mark wannabes were MCA recording artists Jodeci, whose debut album, “Forever My Lady,” has gone platinum. This contest is only open to those born before 1982. Motown’s Boys II Men opened with “End of the Road,” its latest single and a cut from the soundtrack of “Boomerang.”Īlso spicing the set from its quadruple-platinum release “Cooleyhighharmony” was “Please Don’t Go,””Uhh Ahh” and “It’s So Hard to Say Goodbye to Yesterday,” latter delivered with a refreshing mixture of sensuality and innocence, garnering a hearty and enthusiastic response from the female contingent in the audience. The showstopper of Hammer’s set was his signature anthem “U Can’t Touch This, ” during which Hammer invited one of his male dancers to engage in a steamy pas de deux with a female breakdancer. A trademark identifies the brand owner of a particular product or service. Set included “This Is the Way We Roll,””Brothers Hang On,””Have You Seen Her” and “Here Comes the Hammer,” among several highlights, but the songs are merely a backdrop to the spectacle.ĭuring “Pray” and “Do Not Pass Me By,” Hammer’s backup singers, dressed in bright yellow choir robes, bopped, weaved and gyrated to the soul beat.
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